
Paul is an Award-winning Film Director, Writer, Producer, and branded media Director.
He won worldwide recognition by re introducing screen icons Steve McQueen and Denis Hopper to a new fan base worldwide through his tv commercials.
Paul has pioneered visual effects techniques through early on-set editing and post for TV commercials.
He has created groundbreaking advertising for agencies worldwide, with clients including the Ford Motor Company, BMW, Shell, BP and Ferrari. He has worked with sports celebrities and Oscar nominated actors.
Paul has been profiled in leading advertising and marketing magazines including Shoot, Ad Age, Campaign and Creative Revue. He writes, Directs and shoots. His most recent feature film is SAFEHOUSE, set in the US and Mexico.
This project was filmed on location in Florida. This was creaetd one month out from the Katrina event. This was all shot in camera on 16mm, with no AI and limited post production.
This is the teaser I used to launch the feature film SAFEHOUSE. The film is currently playing on TUBI.
This project was created in New Zealand, offering a wide variety of locations and casting opportunities. All in camera, no AI.
This commercial was filmed in a disused air ballon hanger. The scales were build life size, and towered over 100 ft in the stage. I used a different kind of stock to shoot this, creating a "May Ray" type effect. Post production included motion control and large models. No AI.
Filmed in-camera using mobile motion control systems in various locations around New Zealand.
This was shot around the Los Angeles area, and features a cameo by Willie Nelson :)
Movie icon Steve McQueen takes the Ford Puma out onto the streets of San Francisco in the footsteps of Frank Bullitt.
What would Denis Hopper do meeting his alter ego from the 1960's classic "Easy Rider"?
A journey through the history of Ferrari and Shell oils legendary racing partnership.
Shot in Monaco and featuring legendary racing team Jean Todt and John Surtees.
An award winning spot for the UNHCR.
An award winning spot for Renaut featuring the road over the car.
The cars were duplicated in camera, no AI, limited 2D post.
Shot in camera in the Arizona desert.
An award winning spot for the beer brand.
Shot using a local stunt team in S.A
One of my favourite projects to shoot. All created in-camera,


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